Mars
搜索"Mars" ,找到 149部影视作品
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Robert Bruce Carter
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一對生活極有品味的夫婦邀來三五好友,男主人戴夫打算大顯身手,為大家準備一場精緻的晚宴。隨著夜幕降臨,怪事開始發生。不速之客一個接著一個出現,一位電工自稱是安妮的朋友登門而來,可是隨後到來的安妮並不認識這位電工。還有一名自稱哲學教授的法國人也不請自來,浪漫的法國口音讓女客們為之傾倒,貝絲、安妮都莫名跟他上了床,怎料完事之後,法國口音不見了,這讓安妮頓感受騙。哲學教授反指安妮所屬的非營利組織「無國界瑜珈士」,戰亂之下的人民最不需要的就是瑜珈!當派對陷入暴力、離奇的性行為和荒謬的境地時,安妮在浴室發現了一具屍體,眾人開始懷疑他媽的烤箱裡到底是什麼肉……
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安德鲁·尼科尔
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未来的世界,科技的力量胜过一切,基因决定命运,几乎成为金科玉律。不幸文森特(伊桑•霍克 Ethan Hawke 饰)是一个基因不良的人,出生以来就决定了他近视和心脏病的缺陷,他只能活到30岁。于是父母为文森特增添了一个有着优良基因的弟弟。 文森特的梦想是漫游太空,然而恶劣的基因令他无法圆梦,直到他遇到了太空中心的杰罗姆(裘德•洛 Jude Law 饰)。杰罗姆有优秀的基因,却在一次意外中半身瘫痪。二人决定调换身份,文森特千方百计隐藏自己的基因信息,每天都认真清洗掉自己的皮屑毛发,不暴露任何蛛丝马迹。另一方面,杰罗姆帮他筹备进入太空前需要检查的基因物品。事情进展得非常顺利,然而一桩谋杀案和一根睫毛,让事情节外生枝。
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德里克·贾曼
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这是一部现代风格的戏剧,介绍了生于维也纳,在剑桥读书的哲学家Ludwig Wittgenstein (1889-1951)的生平及思想。他的主要兴趣在于研究语言的本质与极限。 电影使用最简单的黑色背景,所有的投资都用在服装、演员以及灯光上,构图就像黑暗的启蒙主义绘画。Wittgenstein以一个小男孩的形象出现,他的少年时代很压抑,银幕上他的家人都身穿罗马人的宽外袍。一系列的小场景描述了他从小时候,到第一次世界大战,再到最终在剑桥当教授和Bertrand Russell以及John Maynard Keynes合作的生平。导演Derek Jarman使用了一些戏剧小品,还有富于想象力的小花招,比如出现了火星侏儒,来表现Wittgenstein的贵族举止,犹太背景,以及同性恋倾向。
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Rodney Wilson
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一對受過醫學訓練的兄弟,平日專門冒充醫護人員,開著救護車載走傷患,再迷昏他們活摘器官,把搶手的肝腎、心臟等賣往黑市,剩餘的屍體則肢解丟棄。某天,兩兄弟一如往常帶回一名女子,負責主刀的哥哥卻不知怎麼地忽然心軟,破天荒讓她在手術台上活了下來,但這個決定,也將為兩兄弟的深厚情感,帶來極大的考驗…
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劳伦·蒙哥马利,布鲁斯·蒂姆
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故事旁白从雷克斯·路瑟开始,描述超人所作的英雄事迹及形象。雷克斯描述超人作为一个地球上的神,但坚持说“该来的时候,甚至是神也必须要死”。 露易丝·莲恩和超人正在浪漫的约会,但露意丝对他们的关系安排并不满意。超人坚持认为,两人的关系只能隐密地在孤独堡垒中度过。他还没有向他透露自己真实身份是克拉克·肯特,尽管露意丝已经开始怀疑。 另一方面雷克斯公司挖掘到一艘太空船,当工人正在执行挖掘的工作时不小心将基因改造的凶残怪物末日杀手释放。末日杀手将工人们全数杀害后一步步走到了都市,一路上将鹿、狗、狗的主人全都杀死。横冲直撞的末日杀手到达大都市后随即被超人发现,两人并展开大战。最后超人全力抓着它从高空直落撞击地面,露易丝与同事吉米·奥尔森告诉受重伤的超人已成功打倒敌人,但超人也因受伤过重而断了气。 世界集体哀悼他们倒下的英雄,并在公园建立了超人的纪念碑。后来雷克斯将他的女助理一枪杀死以确保再也没人知道雷克斯公司和末日杀手的出现有关。后来吉米对超人的死相当难过,意外地到了其他大间的报社上班。超人死后,犯罪率增加,玩具人操控著巨大机械蜘蛛并挟持了一辆戴满小孩的校车在屋顶上,露易丝决定将人质救出,便独自前往,但在遇到危机时,超人意外地及时出现制伏了玩具人。露易丝开心地和复活的超人一吻,后来超人的养母玛莎感到质疑为什么他没有打电话回家,露易丝也认为超人有点奇怪。 后来透露其实复活的超人是雷克斯制造的克隆人,雷克斯在超人与末日杀手一战时采集了前者的血液,因此复制超人只听命于雷克斯。后来雷克斯将复制超人引到了一间有红色太阳光的房间,并戴上氪石的手套不断打击他藉以发泄。打完后雷克斯便前去看他私自挖出的超人本尊尸体。但实际上超人还活着,并偷偷地被超人的机器人助手移到孤独堡垒中恢复。 复制超人在看到逃狱后的玩具人杀死了一名4岁的女孩的报导时,性格突然变得灰暗,即刻前去把玩具人杀掉,此作法使得周遭的人感到奇怪,警察也开始追捕他,露易丝认为他不是真的超人。后来露意丝和吉米发现了雷克斯想要复制超人大军的计划,在雷克斯正打算将两人解决时,突然复制超人出面帮助了两人且还将所有的复制超人试管全数破坏,因为复制超人自行将自己体内含铅的氪石拿出使得雷克斯无法控制他。 另一方面真正的超人在机器人助手的帮助下渐渐恢复力量,但后来听到有关军队和复制超人开战的消息便即时前往,但因力量只恢复了六成,机器人给他穿上了黑色的太阳超人装并将氪石枪交给超人。后来超人便和复制超人展开对战,超人的氪石枪被打飞至远处,超人持续处于下风,露易丝将氪石枪捡起并打算射复制超人时被对方破坏了枪,但氪石罐掉了出来。复制超人在石油地打倒超人时将一旁的纪念碑举起打算了结对方,超人用热力射线将黏于复制超人胸口的氪石罐打破冒出了大量的氪气体,复制超人因此败北。临死前,他告诉超人要保护人民。露易丝确定了他是真正的超人并亲吻了他,同时也赢得大家的信赖。 超人在露易丝的公寓,发现她的文章“复活”拼错,并戴上眼镜证明自己就是克拉克,露易丝便高兴地拥抱他。在雷克斯公司,雷克斯先前被复制超人打成重伤,但仍活着叙述历史已经证明,神可以死,但他们还可以回到从死里复活。他对自己微笑、沉思,可能又再想要如何摧毁超人。
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约翰·摩尔
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6月6日凌晨6点,美国外交官罗伯特•舍恩(Liev Schreiber 饰)刚出生的儿子不幸夭亡,在斯派尔多神父(Giovanni Lombardo Radice 饰)的建议之下,他收养了一个出生不久母亲便过世的婴儿,并为其取名戴明。 戴明(Seamus Davey-Fitzpatrick 饰)在罗伯特的家中健康成长,从未生病。与之相对,各种怪事也不断在周围发生。罗伯特的妻子卡瑟琳(Julia Stiles 饰)再次怀孕,她发现戴明竟然对尚在腹中的婴儿心存恶意。在布莱南神父的指点下,罗伯特得知戴明竟然是恶魔之子,他必将不断壮大,为害人间…… 本片为1976年同名作品的翻拍版。
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查尔斯·沃尔特斯
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At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane (June Allyson) falls for football hero Tommy Marlowe (Peter Lawford). Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.
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迈克尔·柯蒂兹
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当年以演侠盗著称的动作巨星埃罗尔·弗林饰演绰号“海鹰”的英国海盗船长,在17世纪英国与西班牙作战时下令击沉了法国大使乘坐的军舰,并自行放走在舰上当奴工的一群英国俘虏,因而惹祸上身,但也因为他的正义和勇敢而赢得大使千金的爱情。
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迪克·麦斯
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影片讲述了一个电梯无故困人杀人的故事。纽约著名地标建筑----千年大厦的电梯突然失控,一名盲人和保安先后因此离奇毙命。这仅仅是突发事故吗?女记者詹妮弗对此展开调查,设法解开电梯神奇行为背后的秘密。然而,随着她调查的深入,因电梯而死亡的人数越来越多,调查也演变为一场意想不到的噩梦……
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Denise Perrin
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The women who married Henry VIII have become defined not by the way they lived but by the way their lives ended. They are seen as victims of a bloated tyrant, deserving pity, but not respect. However, have we under-estimated them and are historians right to have merely portrayed them as bit-part players in Henry's story? Using dramatic reconstruction and passionate narration, eminent historian and presenter Dr David Starkey focuses on the stories of the women themselves, revealing in intimate detail their experiences of sex, childbirth and the glamorous, dangerous life at court, including the deadly intrigues that dethroned them.
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霍华德·霍克斯
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亨利(加里·格兰特 Cary Grant 饰)是一名英俊帅气的法国军官,在前线,他结识了前来应援的美国陆军妇女队军官凯瑟琳(安·谢里登 Ann Sheridan 饰),尽管两人之间的交流经常伴随着吵吵闹闹,但随着时间的推移,亦产生了真挚而奇妙的感情。 战争结束后,亨利决定跟随凯瑟琳前往美国,结婚并开始幸福的生活,然而此时,一个难题却摆在了他们的面前,那就是亨利并不能取得美国的合法居留权。为了解决这个问题,亨利和凯瑟琳想了一个损招,那就是让亨利打扮成妇女队的军官,混进美国。让两人没有想到的是,这个看似完美的计划执行起来却遭到了诸多变故,他们能够获得最终的“胜利”吗?
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阿贝尔·冈斯
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这是史诗片巨匠冈斯的早期作品,原版长达九个小时。 影片讲述一个类似现在电视肥皂剧的故事:铁路工程师从一次车祸中救回一个女孩,把她当作女儿来领养。不料他自己和儿子都对女孩产生好感。为了不让儿子占有她,遂把女孩嫁给了一个富人。但儿子和养女之间有着压制不住的爱情。儿子跟她丈夫发生争执,不幸死亡。老人把儿子的死归咎于养女,不愿再见到她。后来他眼睛瞎了,养女偷偷回来照料他,直至为他送终。 影片的革命性表现在如下方面:开场的火车事故蒙太奇采用快速剪辑,极具震撼力;平庸的剧情中增加了大量文学典故,丰富了内涵;摄影和剪辑均具有一定的形式感,如镜头的节奏跟音乐相吻合,画面中的机器被用作现代化的象征等,开启了“纯电影”的先河。片名指命运的轮回、欲望的轮回,由车轮形象来暗示。
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Edward L. Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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德里克·斯安弗朗斯
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《蓝色情人节》在分级上经历了一波三折,最终被定为R级。 Dean(瑞恩·高斯林 Ryan Gosling 饰)和Cindy(米歇尔·威廉姆斯 Michelle Williams 饰)在朝夕相处了六个年头之后,他们的婚姻出现了问题。两人想借情人节之际修补彼此的关系, 特意将女儿留在外公家。他们还特意找了一家情人酒店,想找点新的“兴奋点”来刺激自己的爱情。可两人就对未来的生活态度发生了争执,感情不但没有修复反而愈吵愈烈。Dean安逸于有妻女的平淡生活,但Cindy却希望开创属于自己的事业。随着两人的分歧不断升温,那些以往美好婚姻生活中的幸福的片段如今却变成了令人难堪和苦恼的回忆。是否一段感情必须要经历“七年之痒”的磨练?这两个曾经相爱的彼此,曾经甜蜜的婚姻,否则最终会走向支离破碎?
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弗莱德·戴克尔
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In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
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阿贝尔·冈斯
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第一次世界大戰敲響二十世紀的第一記警鐘,從國際佈局、人文精神到文藝和電影,都深受震撼和啟發。阿貝爾岡斯透過三個人的愛情和友誼,反抗戰爭的風暴,並呈現面對國家和戰爭的思想矛盾,叩問人性和文藝的價值。悲壯的結局,飽含失落與不斷戰勝失落的願望,正是影片不衰的意義。岡斯終生熱衷於敘事和影像實驗,風格今天看來依然前衛先鋒。本片與其後的《拿破崙》(1927)同為岡斯的鉅構,技法多樣而熱情,拓展了電影的藝術語言。
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詹姆斯·爱德华·格兰特
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Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves. Quirt recovering under the care of the two women (from left to right: Rich, Russell, and Wayne) Days later, when Quirt regains consciousness, Penny patiently explains the family's belief in non-violence. Three weeks later, Laredo Stevens (Bruce Cabot) and Hondo Jeffries (Louis Faust) ride into town looking for Quirt. When Penny's younger brother Johnny (Stephen Grant) rushes home to inform Quirt of his visitors, Quirt quickly prepares to flee. Penny, now smitten with Quirt, offers to run off with him. At the sound of approaching horses, Quirt grabs his gun and discovers that it has been emptied. Training his gun on the doorway, Quirt calmly greets Hondo and Laredo. Thinking that Quirt has the upper hand, Laredo offers to buy his claim. When Quirt sets the price at $20,000, Laredo hands over $5,000 in gold and challenges him to come for the balance when he is able – if he has the nerve. Afterward, Quirt saddles his horse, but when Penny begs him to stay, he changes his mind. Later, Quirt learns that cantankerous rancher Frederick Carson (Paul Hurst) has dammed up the stream that runs through the valley, thus draining the Worths' irrigation ditches. Quirt intimidates Carson into opening the dam. One Sunday, Penny asks Quirt to join the family for a ride. Before they leave, Marshal Wistful McClintock (Harry Carey) comes to question Quirt about a stagecoach robbery. The family swears that Quirt was with them at the time. The marshal then asks Quirt why he resigned as Wyatt Earp's deputy, sold his ranch and crossed over to the wrong side of the law soon after cattleman Walt Ennis was gunned down in a saloon brawl. When Quirt refuses to answer, the marshal leaves. Penny then begs Quirt to steer clear of Laredo, and he acquiesces because of his love for her. As Quirt and the Worths ride to the Quaker gathering, Quirt's erstwhile sidekick, Randy McCall (Lee Dixon), tags along. Randy tells Quirt that Laredo plans to rustle a herd of cattle and suggests that they then steal the herd from Laredo and let him take the blame. Mr. Worth gives Quirt a Bible for ending the feud with Carson. Fearing that he will never be able to live up to Penny's expectations, Quirt abruptly leaves with Randy. Quirt and Randy steal the herd from the original rustlers. They then celebrate with showgirls Lila Neal (Joan Barton) and Christine Taylor (Rosemary Bertrand). When Lila, sensing a change in her old flame, teases Quirt about his Bible, Quirt becomes angry and rides back to the Worth farm. Overjoyed, Penny throws her arms around him, just as the marshal arrives to question Quirt about the rustling. Quirt states that Lila can provide him with an alibi. Penny is hurt that Quirt was with his old flame, who she heard him talk about in his delirium, thinking Quirt prefers Lila's fair hair. Quirt realizes the depth of his feelings for Penny, and they kiss hungrily in the barn, while the camera fades. The marshal warns Quirt that he is the wrong man for Penny. Quirt decides to propose to her anyway. Instead of replying, Penny invites Quirt to join her picking blackberries. Quirt answers Penny's questions about his early life. Kindly Walt Ennis raised him after his parents were massacred by Indians. Then Ennis was murdered. Quirt and Penny are ambushed and chased by Laredo and Hondo on their way home. Their wagon plunges over a cliff into the river, causing Penny to develop a dangerous fever. When the doctor informs Quirt that there is no hope for her, Quirt straps on his pistol and rides into town to exact revenge. After Quirt leaves, Penny's fever suddenly breaks. In town, Quirt sends Bradley to tell Laredo and Hondo he is waiting for them in the street. Penny and her family arrive. She gets Quirt to surrender his gun to her. As Laredo and Hondo draw their guns, Marshal McClintock shoots them both. Quirt rides off in the wagon with Penny. The marshal picks up Quirt's discarded weapon. Bradley comments that Quirt may need the weapon, to which the marshal says, "Only a man who carries a gun ever needs one." And, the film fades to black.
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阿诺德·拉文
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When FBI Agent Zack Stewart is killed, Agent John Ripley takes over the three cases he was working on, hoping one will lead to his killer. The first involves gangster Joe Walpo and Ripley finds his hideout through Joe's girl friend, Connie Anderson. Joe is killed but it is established he was 400 miles away when Stewart was murdered. The next involves a car-theft gang which Ripley breaks up by using one of the gang, Vince Angelino and his wife Julie. The last case involves Kate Martell, the victim of an extortionist who threatens to kidnap her child unless she pays him $10,000
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内详
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People ushered in the Odin Yale Festival in the snow, this is a holiday for the Vikings to give gifts! www.leshikan.cc But bad weather may cause this tradition to be cancelled unless the rescue knights can resolve the crisis.
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戈登·贺斯勒
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In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
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约翰·亚历山大,约翰·麦凯,贝瑞特·奈鲁利,S·J·克拉克森
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曼城的一位警探 Sam Tyler 在办案中被车撞倒在地,从昏迷中醒来后发现自己的4×4车变成了30年前的款式,车内有把他调到曼城警署的文件。原来他回到了1973年,还是在同一栋楼里办公,成了另一个警探 Gene Hunt 的下属,Gene 是 DCI (Detective Chief Instpector),Sam 是 DI (Dectective Inspector),他们俩象是组长副组长的关系,手下还有几个警探,包括制服女警 Annie (WPC Woman Police Constable)。






























